- innovative sound design solutions -
- AUDIO ENGINEERING / TECHNICAL
Editing with ProTools : Little Endian / Reverse Edit method
- MIXING / PRODUCTION
Mixing / producing methods : “Organic sound”
Melodic line generation using the logistic model (MIDI controlled)
Production showcase : piano sound - ageing, contextualization
Production showcase : pseudo random mike placement - acoustic processing
Production showcase : mixing - high group differentiation
- REVERB / EQ DESIGN
Use of pseudo periodic oscillators in reverb design
Use of acoustic instruments in reverb design
Use of very short impulse responses in production - complex EQing
Spectral matching : applying a sample’s spectral envelope to another sample
- AUDIO SYNTHESIS
Waveform synthesis using pseudo-periodic oscillators
Sample synthesis by means of Impulse Response Fourier transform
Sample synthesis by means of Impulse Responses self convolutions
- ACOUSTICS
Easy room mode detection using Impulse Response self convolutions
Acoustic dipoles
Multi-speaker spatialization : group differentiation, virtual spaces |
Click on the icons to download the complete PDF DOCUMENT and the corresponding AUDIO EXAMPLES :
- dedicated pages -
- publications -
Sound navigation : sonified hyperlinks (Susini - Vieillard - Deruty - Smith - Marin, IRCAM, 2002), Conference on Auditory Display, Kyoto, Japan, July 2-5, 2002
Sonification categories (Susini - Gaudibert - Deruty - Dandrel, IRCAM, 2003), International Conference on Auditory Display, Boston, MA, USA, July 6-9, 2003
Automatic morphological description of sounds (Peeters - Deruty, IRCAM, 2008), Acoustics 08 Paris
Geoffroy Peeters, Emmanuel Deruty: Toward Music Structure Annotation, ISMIR (Late Breaking News) Kobe, Japan 2009
Geoffroy Peeters, Emmanuel Deruty: Is Music Structure Annotation Multi-dimensional ? A Proposal for Robust Local Music Annotation, LSAS Graz, Austria 2009
Geoffroy Peeters and Emmanuel Deruty Sound indexing using morphological description
to be published in IEEE Trans on Audio Speech and Language Processing (Special issue on Signal Models and Representations of Musical and Environmental Sound)
All documents on this page are written by the owner of this site except stated otherwise.
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