TWO RECORDING LAYOUTS THAT RELY HEAVILY ON LOCAL ACOUSTICS

For the "No Paranoïa" project (1999-2002).

 

ABOUT THE PROJECT:

The "No Paranoïa" project consists in ca. fourteen pieces, mostly written by Christophe Monniot & I, some with Denis Charolles, and a few with Pierre-Yves Macé. They were recorded and produced in Paris between 1999 and 2002.

As different as some of those pieces may be from some others, they were all made with similar production methods. There are two kinds of trakcs: the solo pieces (saxophone only) and the collective pieces ( with mainly drums, along with sometimes other instruments such as bass guitar or trombone ).

Basically, most pieces were recorded in what some people might call weird conditions : in extremely reverberant places, in corridors... one was even recorded in a bathroom. Some solo pieces were recorded in normal studios, with only the direct sound and a multieffect. Various microphones were used, preferably in devious ways.

With only one exception, all the pieces have been heavily edited afterwards, mainly using ProTools, and sometimes a Sonic Solution station. Generally, everything has been drastically processed, using all kinds of machines : several sorts of reverbs, several sorts of compressors, distortion from every machine at hand... etc.

 

RECORDING LAYOUT EXAMPLE (COLLECTIVE)

 

In an untreated room - in fact a place where they usually store instruments after or before a concert.
The so called "huge place" is the actual concert room.
This was a 16 track recording.

 

 

 

RECORDING LAYOUT EXAMPLE 2 (COLLECTIVE)

 

The same place but later. This time we used the actual concert room.
Six track recording.